Service Model Dallas, Texas
Sometimes reviled, occasionally lauded: Alex Atchley has helmed many electronic music outfits since 2002, including: Mirage
Music Club (formerly Naxat) and Blank-Men. In 2018, he returned to his self-contained electronic roots, under the moniker Service Model—a term he found by repeatedly hitting “random article” on Wikipedia.
Direct all inquiries to:
servicemodelmusic(AT)gmail(DOT)com
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supported by 10 fans who also own “We Used to Be Cool”
I honestly couldn't tell you the first thing about jazz fusion, but I can tell you that ZAKU is awesome! This EP demands your attention right away, and holds it in a way that instrumental music can sometimes struggle to. Every musician in the band is clearly very talented. Without feeling repetitive, the EP still manages to be plenty memorable. Could I run ten miles nonstop? Heck no. Could I while listening to ZAKU? I think maybe I could.. Also, the album art is incredible. Rad stuff all around!
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supported by 8 fans who also own “We Used to Be Cool”
i appreciate that the album art is in space considering what a stellar recording of a stellar assortment of tunes this is from a stellar lineup of a stellar band
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Double Ferrari
by Double Ferrari
supported by 8 fans who also own “We Used to Be Cool”
If National Anthem was my national anthem I would be so proud I would've lied about my age to enlist.
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A stunner—dense, richly textured electronic music with songs that crackle like mysterious outer space transmissions.
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Producer gonima's mix of ambient textures and glitchy IDM percussion is warm, melodic, and inviting.
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Emotionally stirring avant-techno from Surgeons Girl, offering a field of percolating analog synths to get lost in.
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Exceptional Goblins
by Ian Cowell
supported by 8 fans who also own “We Used to Be Cool”
This whole album is solid VGM gold from start to finish, but the Mario Land track is especially fun and the Chrono Trigger track gives me chills every time. Worth the price for just those alone.
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